jimhines: (Snoopy Writing)
( Jun. 23rd, 2017 11:18 am)

Friday is almost finished with this first draft…

 

Mirrored from Jim C. Hines.

Tags:

Senate Republicans have finally released what appears to be the draft text of H.R. 1628, the “Better Care Reconciliation Act of 2017.”

It’s 142 pages, and to be honest, I’m having a hard time deciphering it all. (Not a lawyer or a legislator.) But here are some things that stood out at me…

Elimination of the individual and employer mandate. (Pages 10-11)

Tax repeals on medications, health insurance, health savings accounts, etc. (Pages 25-29)

This includes the “Repeal of Tanning Tax” on page 29.

The continuing attack on abortion rights.

“Disallowance of small employer health insurance credit for plan which includes coverage for abortion.” (Pages 8-9)

“No Federal funds provided from a program referred to in this subsection that is considered direct spending for any year may be made available to a State for payments to a prohibited entity,” which is then defined as an entity providing abortion services except in cases of rape, incest, or when the woman’s life is in danger. (Page 35)

#

According to a USA Today analysis, this bill would:

  • Reduce or eliminate most subsidies for individuals and families
  • “Eliminate the ACA’s requirement that insurers can’t charge older customers more than three times what younger customers pay for the same coverage. Instead, those in their 60s could be charged five times as much, or more.”
  • Eliminate penalties to large employers who choose not to offer health insurance. (Elimination of the employer mandate.)
  • Make it easier to drop coverage for things like maternity care and mental health issues.

CNN points out that the bill would also:

  • Defund Planned Parenthood for a year.
  • Require coverage of preexisting conditions. However, it also lets states “waive the federal mandate on what insurers must cover… This would allow insurers to offer less comprehensive policies, so those with pre-existing conditions may not have all of their treatments covered.”

A PBS article says the bill would:

  • Cap and reduce Medicaid funding, and allow states to add a work requirement for “able-bodied” recipients of Medicaid.
  • Provide $2 billion to help states fight opioid addiction

Fox News, unsurprisingly, focused on what they saw as positive in the proposed bill:

  • It preserves health care for people with preexisting conditions (with the potential exceptions noted in the CNN bullets, above), and allows children to stay on their parents’ insurance plan through age 26.
  • It expands health care savings accounts.
  • It provides a short-term stabilization fund to help struggling insurance markets.

The Congressional Budget Office is expected to release their report on the senate bill next week. The CBO estimated that the House-passed bill would result in 26 million fewer insured Americans by 2026, and would cut the budget by $119 billion over the same time. (Source)

#

Nothing here is particularly shocking. I’m glad I and my family can’t be kicked off our insurance for our various preexisting conditions…though some of those conditions might no longer be covered, which sucks. It would hurt the poor, the elderly, women, and the mentally ill, among others. None of my readers will be shocked to hear that I think this is another step backward. The ACA was far from perfect — it’s like a patient with a broken leg, but instead of trying to fix the broken leg, we’ll just throw them through a woodchipper, because hey, it’s cheaper!

It looks like this may be a tight vote, which would make this an excellent time to call your Senator.

Please keep any comments civil. I’m angry about this too, but I don’t have the time or the spoons to moderate fights and nastiness today. (Which probably means I shouldn’t have posted this in the first place, but I never claimed to be that bright…)

Mirrored from Jim C. Hines.

“We’re so conditioned to believe that white is the default that we write ourselves out of the worlds that we create.”

Invisible 3 CoverDawn Xiana Moon is one of the contributors to Invisible 3, which comes out on June 27 and includes 18 essays and poems about representation in science fiction and fantasy. You can preorder the collection at:

Amazon | Kobo | iBooks | Smashwords | Google Play

(It will be available for Nook as well, but we don’t have that link yet.)

Any profits from the sale of the collection go to Con or Bust, helping fans of color to attend SF/F conventions.

As with Invisible and Invisible 2, the contributors to this third volume have shared work that’s heartfelt, eye-opening, honest, thoughtful, and important…not to mention relevant to so much of what we see happening in the genre today.

#

Of Asian-Americans and Bellydancing Wookiees, by Dawn Xiana Moon

We have always existed.

In the early days of the internet, back when we were on Prodigy or CompuServe and email addresses were long strings of numbers with a comma in between, I was answering distress calls on derelict starships. America Online (because it wasn’t yet AOL) launched an ad campaign that envisioned an internet with graphics; I dodged Borg at Warp Six. I outsmarted Q when he appeared on my bridge, launched photon torpedoes at Romulans, and flirted with fellow Starfleet officers in Ten Forward. I was thirteen. And like a good overachiever, I wondered if I could list being second-in-command of the CompuServe sim group Fleet 74 on lists of my activities and accomplishments, right next to years of piano lessons, parts in theatre productions, dancing and singing in the community show choir, and the environmental and video game clubs I’d started (and of course led as president).

My father is an aerospace engineer; by the time we moved from Singapore to the US, I was five years old and already lived in a world where discussing wrap drive was normal. My AP Biology teacher was shocked when I mentioned a singularity in class one day, surprised that a high school senior would know the term (which she made me define in front of the class before she was satisfied), but I’d been raised on a steady diet of Star Trek, Star Wars, Babylon 5, and every science fiction and fantasy novel I could get my hands on—my father handed me Isaac Asimov books in elementary school and I read them, wondering why I didn’t have a robot nanny or automatic food-making gadgets. I am a native speaker of technobabble.

All that to say: I’ve always been a nerd. And proudly so. But growing up I rarely saw people that looked like me onscreen—sure, we had Sulu, but George Takei was closer to my grandparents’ age than mine. Asian characters were few and far between, and girls? Girls didn’t like Vulcans or computers. Girls especially didn’t like dancing and princesses and talking about the space-time continuum all at the same time. Or so I was told.

But I was Asian. And female. And I existed.

I was the girl who hung out at the arcade playing Street Fighter II and Mortal Kombat, first surprising boys who saw a girl in front of a fighting game, then shocking them when I won. I was the foreigner who walked into first grade in the middle of the school year, a Chinese kid from another country but a native speaker of English. I was the founding member of the high school forensics team who learned quickly that judges gave higher ratings to performances of minority stories by minority students than they did mainstream stories by minority students—so while the handful of black students I competed against performed passages from Toni Morrison’s The Bluest Eye, I lent dramatic flair to Amy Tan’s Joy Luck Club. I often won.

And now? I’m the bellydancer, firespinner, singer-songwriter, and nerd who designs and codes websites. I obsess with sparkles and sequins and makeup and then wrestle with merge conflicts in GitHub. I flirt with audiences and shimmy to Balkan brass bands and then debate backstage whether Daleks or Cylons would win in a fight. I sing 19th century French poetry layered on piano parts in 7/8 time inspired by traditional Chinese folk music, Americana, and jazz. I break stereotypes into tiny pieces and eat them like candy. I exist.

#

Growing up, the few Asians I saw in media invariably fell into tropes: the martial arts master, the submissive woman, the uber-nerd/scientist, the Dragon Lady seductress. None of these matched my personality. While I was able to beg my way into flute and voice lessons—in addition to piano—my father refused to let me study tae kwon do on the grounds that it would be “like handing a kid a loaded gun and telling him not to use it.” People told me I was bossy—my heroes were characters like Princess Leia and Babylon 5’s Delenn, forces of personality who were fully themselves and didn’t need rescuing. I was more Captain Kirk than Yeoman Rand. I was a geek, but I had far more interest in music and dance than I did in math or chemistry; science interested me primarily as story. And I had no idea what it would mean to be seductive—my conservative evangelical church preached “modesty,” and Bible camp banned spaghetti strap tank tops, two-piece swimsuits, and short shorts on the grounds that they would evoke lust in the boys.

I didn’t exist.

I grew up around Americans who discussed race in black and white terms, expressing couched racism with the assumed understanding that I was one of them. Those were the same Americans who complimented my English, told me my face was flat, and pontificated about how eating Chinese food was great except that you were hungry again immediately afterward. After the last election, CNN disseminated a chart of votes with breakdowns by both race and gender: Black men voted this way, black women this way, Hispanic men and women these ways. Asian-Americans didn’t appear on the chart—we were literally “Other.”

As an Asian-American theatre major, so often I was cast as that literal Other: I spent two summers performing A Midsummer Night’s Dream in college. The first year, I was one of the fairies. So were most of the black students. The one who wasn’t a fairy was cast as Hippolyta, the Queen of the Amazons. The second year, we reprised the show; I was cast as Hippolyta. All of the black students were fairies. The Greeks and lovers were uniformly white.

How often do we cast an Asian-American as the protagonist, the superhero whose origin story we follow? How often do we allow an Asian-American to lead a movie as a swashbuckling rogue, the resistance fighter who marries a princess along the way, the rockstar with thousands of screaming fans? Hollywood casts Tilda Swinton as the Ancient One in Doctor Strange, Scarlett Johansson as Major Motoko Kusanagi in Ghost in the Shell, Mackenzie Davis as Mindy Park in The Martian—with so few roles available to begin with, we’re often denied even characters who should look like us. We’re over 5% of the US population, but only 1.4% of the lead characters in studio films released in 2014. According to Annenberg School for Communication and Journalism at the University of Southern California, the majority of media features zero named or speaking Asian characters. Zero.

Two years ago I attended a curated acoustic music showcase where every single one of the musicians was a white guy with a bushy beard. Most of them wore plaid. Producers often think of diversity in terms of instrumentation or musical style; I’ve released two albums of original music, toured 10 states, and performed hundreds of shows, but it’s rare to see another folk singer-songwriter of color. While the genre is dominated by white people, Asian-Americans are making this music. And making it well. We exist, but we’re not part of the narrative.

#

Living in a world where people who look like you are functionally non-existent yields odd fruit. As an ambitious elementary school kid, I wrote (what I considered then) a novel. Starring ninjas. Based heavily on the Ninja Gaiden video game. Of course I Mary Sued my way into the story. But I always envisioned my surrogate as white. And male. (Because, we’re told, the appropriate protagonist of an adventure story is white. And male.) Likewise, when I wrote other stories, every character—heroes, villains, NPCs—was white.

Bryan Lee O’Malley of Scott Pilgrim fame talks about how he never realized that he’d whitewashed himself out of his own story until seeing his comic in movie form and realizing that no one looked like him. As I’ve talked with other Asian-Americans, I’ve realized that I wasn’t the only one—many of us did the same thing. Even the excellent Ted Chiang—one of my favorite writers, and the first Asian-American I can recall encountering in science fiction—falls into this. We’re so conditioned to believe that white is the default that we write ourselves out of the worlds that we create.

#

I refuse to be invisible.

Faced with a culture that minimizes the existence of Asian-Americans in the arts, I’ve long created my own projects. In 2012, I founded Raks Geek, joining my love of geekdom and dance to form a nerd-themed bellydance and fire performance company that features a primarily Asian and LGBTQIA cast. While our society pigeonholes Asians as socially-awkward scientists, perpetual foreigners, and weak submissives, I’m determined to show Asians can be creative, tough, and unconventional.

“To dance is a radical act.”*

A body on a stage makes a statement. A female, POC body on a stage makes a statement. When I dance, I’m changing the narrative, the story of what an Asian-American woman is allowed to be. When I dance with Raks Geek, I’m making an audience laugh at the ridiculousness of a Wookiee shimmying, but I’m also bringing a new audience to an insular dance form, teaching them what bellydance looks like at a high level of technical and artistic proficiency, and defying a host of model minority and immigrant stereotypes.

Visibility matters. Few would conceive of an Asian-American bellydancer performing as a Wookiee. Or Mystique. Or the TARDIS. But I do, and I hope to challenge perceptions of who we are and can be every time. We exist, and we have always been here.

We exist.

_____

* “To dance is a radical act because doing so implies that there are forms of knowing that cannot be mediated to us in words, which give words their meaning.” -Kimerer LaMothe

***

Dawn Xiana Moon is a lifelong geek that has worked professionally in almost every area of the arts. She the Founder and Producer/Director of Raks Geek, a nerd-themed bellydance and fire company that’s garnered acclaim from WGN-TV, MSN, Chicago Tribune, The Daily Mail, and UK Channel 4 TV. As a singer-songwriter, Dawn has performed in 10 states and released two solo albums; her latest CD, Spaces Between, fuses elements from traditional Chinese music with jazz and alt folk pop. She performs with Read My Hips tribal bellydance, spins fire with Acrobatica Infiniti circus, works as a UX designer and web developer, and has written for Uncanny Magazine, The Learned Fangirl, and RELEVANT Magazine. Though she loves Chicago, she periodically needs to flee the US; her wanderlust has brought her to 20 countries (and counting!) thus far.

Mirrored from Jim C. Hines.

“It turns out that what I wanted wasn’t the story of a young woman coming to terms with her brace or her body … what I wanted was something to love.”

Invisible 3 CoverFran Wilde is one of the contributors to Invisible 3, which comes out on June 27 and includes 18 essays and poems about representation in science fiction and fantasy. You can preorder the collection at:

Amazon | Kobo | Smashwords | Google Play

(It will be available for Nook and iBooks as well, but we don’t have those links yet.)

Any profits from the sale of the collection go to Con or Bust, helping fans of color to attend SF/F conventions.

As with Invisible and Invisible 2, the contributors to this third volume have shared work that’s heartfelt, eye-opening, honest, thoughtful, and important…not to mention relevant to so much of what we see happening in the genre today.

I hope you find Wilde’s essay as powerful as I did.

#

At twelve, I perfected the baggy clothes drape. I stood and leaned against walls rather than sitting. Leaning kept the bottom edge of the hard, white fiberglass brace from digging into my thighs and the top edge from pinching under my arms. Either or both would drag my clothes funny and ruin the effect. I was pretty careful, but one pat on the back or a joking poke at my ribs and thunk. Hip to collarbone, my identity was wrapped in a hard shell.

Other braces, before and since, were easier to hide if I wanted to hide them. Foot braces, worn at night, turned my feet in the right direction, and no one was the wiser. Their ugly cousins, the orthopedic shoes, went away by third grade. The current knee and wrist braces and all the bracing tape? Those disappear under sleeves and skirts. And they’re mostly soft, not hard.

But I’ve always identified with that thunk. Part of me has always been a brain rolling around in a cage—both the skin and bones cage that doesn’t behave, and the shells that try to help fix that.

Growing up, this sucked.

Worse, the available books I could identify with sucked too. Deenie? Once was fine, but everyone gave me Deenie as if there was nothing else. And there really wasn’t. I started leaving annotated pages of Deenie secreted around my doctors’ offices in protest.

The year before I was cast for that second brace, I found science fiction.

I realized early that I identified more with the ships I was reading about than their captains. Especially the brain ships. (I’m still incredibly partial to liveships like Farscape’s Moya, Bear & Monette’s The Lavinia Whateley (“Boojum”), and Aliette de Bodard’s mindships.)

It turns out that what I wanted wasn’t the story of a young woman coming to terms with her brace or her body (seriously it’s a fine story, but it didn’t fit me at all—or, rather, it fit me like a brace, constraining and awkward). What I wanted was something to love. I was listening for that familiar thunk on the hull; I just didn’t know it. That recognition that there was a mind inside a cage of muscle, bone, pain, fiberglass, and metal. The acknowledgement that a mind could do things—heroic things! Cool things!—even if the body rebelled.

The first time I read Anne McCaffrey’s short story “The Ship Who Sang,” I read that painful first line—”She was born a thing,” and the ensuing replacement of Helva’s body with something better, a brainship shell—and felt guilty that I had it easy in comparison, while being thrilled that the main character was female. At twelve, I didn’t quite grasp some problematic aspects of the story.* What I knew immediately was that “The Ship Who Sang” delighted me.

That delight stemmed from recognizing a part of myself in the story—a singer, an artist, a perfectionist, a twisted form, triumphant inside a hard, albeit fiberglass, shell.

I fell in love with Helva from the start, and never really let her go. She’s mine. My ship.

She was so much better than freaking Deenie.

Later, another story caught me up in similar ways, though, again, I didn’t realize why until a lot later. William Gibson’s “Winter Market” (Burning Chrome), features Max, a recording engineer, and Lise, a wunderkind artist about to go viral. Lise’s genetic disorder requires her to wear a full-body brace in order to survive, but this is faulty equipment too, so much so that the brace once trapped her starving and unable to move in a pile of garbage. Told from Max’s point of view, “Winter Market” opens with Lise’s escape to immortality: “It was like that the day her agents phoned to tell me she’d merged with the net, crossed over for good.”

In “Winter Market,” Lise creates something astoundingly beautiful and Max sees her for who she is when no one else does. I love the story. I thought I loved it because of what it said about art and dedication and rage; because of the connection between two people; because of how angry Lise was whenever anyone looked at her with anything approaching pity.

Lise is better than Deenie too.

But, as I said above, Lise is already gone by the time “Winter Market” begins, and my love for Gibson’s story has grown more complex and layered.

Lately, I’ve been arguing with Gibson in my head about Lise. (And, to a lesser extent, with McCaffrey about Helva.) Because Lise is a prop for “Winter Market.” She’s gone, and what she’s left behind and what she’s become are not Lise any more, in the narrator’s eyes especially. Because her tech cage failed her, maybe. Because her meat cage failed her too, probably. Because her mind needed to escape all that she was in order to fulfill what she was capable of.

I’m arguing about that now for a lot of reasons. First, because I can’t get out of my cage—none of us can—and second because I do not want to be gone. I want a world that lets me live, and love, and create, and be me, with whatever braces or tech I need. One that doesn’t stand in my way or expect me to disappear in one flaming act of creation. Gibson’s and McCaffrey’s stories helped me understand this, in their own ways.

So when I write characters like Djonn in Cloudbound and Horizon, or Lane in “Happenstance,” a short story coming out this summer in the FutureScapes anthology, I write them uncaged, even as I give them braces and tech to help support them. The cage I’m talking about is the story’s definition of who they are—where Lise is at one point garbage and the hole she leaves in the story, where Helva cannot be at all, unless her parents make her a ship. Djonn and Lane and others aren’t defined by their bodies and limitations; they have the tools to do their jobs and live their lives.

Sometimes people don’t notice my characters have disabilities because these characters are too busy living their lives.

I’m really very fine with that. I’m busy living my life too.

Even when the meatcage goes thunk.

_____
*And has been beautifully explored by readers and academics including Dr. Ria Cheyne, in “She was born a Thing, Disability, The Cyborg, and the Posthuman (Journal of Mondern Literature 36.3)”

***

Fran Wilde is the author of the Andre Norton- and Compton Crook Award-winning, Nebula-nominated novel UPDRAFT (Tor 2015), its sequels, CLOUDBOUND (2016) and HORIZON (2017), and the Nebula- and Hugo-nominated novelette “The Jewel and Her Lapidary” (Tor.com Publishing 2016). Her short stories appear in Asimov’s, Tor.com, Beneath Ceaseless Skies, Shimmer, Nature, and the 2017 Year’s Best Dark Fantasy and Horror. She writes for publications including The Washington Post, Tor.com, Clarkesworld, iO9.com, and GeekMom.com. You can find her on Twitter, Facebook, and at franwilde.net.

Mirrored from Jim C. Hines.

My family and I finally saw Wonder Woman today. (I made sure to do up the beard with the appropriate colors, of course!)

Selfie with yellow and red beard bandsI liked it a lot. It wasn’t perfect, but it’s easily the best of the DC superhero films for me. Not necessarily a high bar to clear, but still…

Was it perfect? Nope. I saw the twists with Ares and the “godkiller” pretty much as soon as they were introduced. Elena Anaya’s Doctor Poison was sadly underutilized. The final battles were a little too CGI.

I still enjoyed it. I loved Gal Gadot as Wonder Woman, and Chris Pine as Steve Trevor. Lucy Davis was a lot of fun as Etta Candy. Perhaps most importantly, the film gave us a Wonder Woman who had heart. Who loves and protects and smiles and cares and tries to help, and not just in battle. The moment when she tries to comfort Charlie after what appears to be a PTSD-type nightmare, or her unabashed joy in ice cream or seeing a baby for the first time…those moments made Wonder Woman as much as her big fight scenes.

I’ve seen people talking about how they cried during this movie at the sight of a woman taking center stage as a powerful, compassionate, world-saving superhero. I’ve seen criticism of the way the film quickly abandons Paradise Island and surrounds Wonder Woman with an almost entirely-male cast. I’ve seen love for the casting of an Israeli woman, and for a Native character who introduces himself in Blackfoot. I’ve seen pain and frustration at the way black women are portrayed or pushed into the background. (I loved watching Robin Wright kick ass, but why couldn’t the movie have kept Philippus as Diana’s trainer?)

I’ve also seen that amazingly clueless Guardian review, which complains:

Confusingly, Diana later explains that “men are essential for procreation but when it comes to pleasure, unnecessary.”

Anyone else completely unshocked to find that this review was written by a man?

I included the link, but I recommend reading more thoughtful commentary and responses like the following:

It’s hard to hear something you love is problematic. We saw The Princess Bride again last weekend. I love that movie. I think it’s brilliant…but it’s also almost exclusively male, and includes a scene of Westley threatening to strike his so-called love because he doesn’t like something she said. That’s messed-up. I still love it, but not because I delude myself into thinking it’s perfect.

Wonder Woman is extraordinary and powerful for a lot of people. It’s also flawed and frustrating or disappointing for others. This isn’t a contradiction. It’s the nature of art. Sure, certain criticism might be ridiculous — waves at that Guardian reviewer — but I don’t think we do ourselves any favors by pretending our faves are perfect, or by refusing to listen to people who point out genuine problems.

I liked the movie. I liked Gal Gadot’s Wonder Woman. I think this was a big step forward for DC films…but one step does not a journey make. I hope Hollywood learns and does even better in the future.

I’ll end with Stylist UK’s 25 life-giving photos of little girls dressed as Wonder Woman.

Gal Gadot with Young Fan

Photo from Ryan McGee’s Twitter Feed

Mirrored from Jim C. Hines.

Tags:
jimhines: (Snoopy Writing)
( Jun. 9th, 2017 09:34 am)

Friday is impatient to see Wonder Woman this weekend, and has been dodging spoilers all week!

Mirrored from Jim C. Hines.

Tags:

About two weeks ago, I was walking down our street and heard a rather pathetic meowing from a neighbor’s place. I didn’t figure out where it was coming from until later, when the neighbors were out. A cat had gotten himself stuck in the top few feet of their pine tree, and didn’t seem able to get down. He was too high to get with a ladder. We chatted, and they decided to give him overnight to see if he came down on his own.

He did not. I went down the next morning, thinking I might try my old tree-climbing skills. Fortunately, another (younger) neighbor was there first. I ended up holding the ladder while he climbed ladder then treetop to reach the cat.

Cat was removed from tree more-or-less successfully. Cat rubbed up against everyone’s legs in gratitude and hung out for a while before moving on with his cat life.

The following day, my wife and I were walking the dog, and spotted the cat hanging out one street over. It came running over to greet us, and we noticed he had a slight limp. He wasn’t worried about the dog, and continued to rub our legs and purr. He was skinny, his ears filthy and a little bloody from ear mites, but all he wanted to do was snuggle.

Yep, we’re suckers. We took him home and gave him some food and water, then took him in to the vet for a checkup, ear mite treatment, and shots. He didn’t have a chip, and isn’t listed on any of the missing pet sites. As malnourished as he was, he clearly hasn’t had a good home in a while.

I wanted to name him Treebeard. My wife and daughter vetoed that one, pointing out that a) the cat had no beard, and b) Treebeard was the tree — the cat should be named after one of the hobbits who was clinging to the top of said tree.

Today Pippin was released from ear mite quarantine. So far, everything’s going pretty well. Of our other cats, Sophie is cranky about the new addition, but Chewie thinks he has a new best bud to play with. He’s been following Pippin around like they’re best friends from a Disney movie.

Chewie and Pippin

What are you looking at, human?

Pippin Pippin Pippin

I think he’s going to fit in just fine.

Mirrored from Jim C. Hines.

Tags:

Work on Invisible 3 continues! At this point, we have signed contracts from all contributors, and our marvelous introduction-writer is hard at work writing the introduction.

We also have cover art, which includes our list of contributors!

Invisible 3 Cover Art

(The introduction bit is blurred out because I’m superstitious about sharing names before everything is done and signed.)

The introduction arrived in my inbox shortly after I posted this, so we can also announce now that it’s by K. Tempest Bradford!

We don’t have a firm release date yet, but it won’t be too long now.

In the meantime, thank you to:

for your amazing work. We can’t wait to share it with the world.

Mirrored from Jim C. Hines.

jimhines: (Snoopy Writing)
( May. 30th, 2017 04:51 pm)

The rest of the pictures from France are up, in two albums:

These are all from the roughly 48 hours or so I spent in Paris before heading to Epinal for Les Imaginales. It was a busy couple of days 🙂

Notre Dame Eiffel Tower Arc de Triomphe Entering the Catacombs

A few other random thoughts and observations from my time in France…

  • So many dogs, and not just on the streets, but in restaurants and stores and hanging out at booths at the festival!
  • Food was wonderful. I’m not entirely sure what all of it was, but I don’t think I had a single bad meal while I was there. (One frustrating restaurant experience, but even then, the food was great!)
  • French convention panels are very different than the ones I’m used to. The moderator asks questions of the individual authors in turn, so there’s not much back-and-forth among panelists. You’re also expected to talk about your book a lot, which took some adjusting for me.
  • Everyone I encountered was friendly and polite.
  • I did not win the Prix Imaginales in my category. On the other hand, I got to spend a week in France with amazing, wonderful people. I figure that’s plenty of winning for the week 🙂

I’m mostly recovered from the trip, and am wrapping up the final revisions on Terminal Alliance. I’m also hoping to get Invisible 3 packaged and ready to upload to various ebook retailers within the next couple of weeks. Cover reveal should be coming very soon!

 

Mirrored from Jim C. Hines.

On my first day at Les Imaginales, a pair of librarians came up and invited me to visit the Epinal Library. What I didn’t realize — they may have mentioned it and I just missed it — was that they were giving us a private tour of the rare books room.

Epinal Library Rare Books Room

It was amazing. One of the true highlights of my trip to France. My interpreter Lionel, an author himself, was as awestruck as I was. Especially when they brought out the first book. If I’m remembering right, this was from the 8th century.

8th century religious text

The next one wasn’t quite as old…being from the 9th century. This Gospel of Saint Mark was a youthful 1200 years old.

Gospel of St. Mark: 9th Century

The cover is metal and ivory. I’m not sure what kind of jewels those are. The circular areas on the corners were for holding relics. Here’s a glimpse of the interior:

Gospel of St. Mark: Interior

You can see the full set of photos on Flickr. (Or you may have already seen them on Facebook.) It was such a wonderful experience. My thanks to everyone at Bibliothèque Municipale d’Epinal for their time and generosity.

I’ll end with a map of Michigan from one of the books that was “only” a few centuries old. Michigan sure looked different in the old days…

Map of Michigan

Mirrored from Jim C. Hines.

I got back to Michigan late on Monday after a wonderful week in France for Les Imaginales.

The festival was amazing. The whole town participates and helps to sponsor Les Imaginales, which felt like a cross between a book fair, convention, and renaissance festival. The town is gorgeous, the food is delicious, and there were dogs everywhere–even in restaurants or sitting under a table in the book tent 🙂

I’ve posted photos from the book fair on Flickr. I’ve got a bunch more to get through and post, but I’m doing them one batch at a time.

The best part, naturally, was getting to hang out with some wonderful author friends from America, and to meet new authors, fans, editors, and fellow geeks from France and elsewhere.

It was fascinating to see the differences between French and American conventions. The panels were very different. Instead of a free-for-all conversation, the moderator asked each author a question, one at a time. There wasn’t much interaction between the authors. It felt a bit more formal, but also made sure everyone got the chance to talk and contribute. You were also expected to talk a fair amount about your book and how it related to the topic. At home, I try to avoid doing that too much, but in France, it’s expected that you’ll talk about your writing and help the audience learn enough to decide whether or not they’re interested.

Which means the best time to be in the book tent is immediately after you’ve done a panel. (I didn’t figure that out for my first panel, and probably missed some sales since I didn’t immediately go to the tent afterward. D’oh!)

I’m still trying to get caught up on everything. In the meantime, have a few pictures. (Or check out the full album on Flickr or Facebook!)

A shot of Epinal at night

Authors en route to Epinal

James Morrow and Christopher Priest

Château d’Épinal

A bit of historical reenactment? I really don’t understand French history…

My thanks to everyone at the festival for inviting me, for their hard work organizing the event, and for making this such a delightful week.

Mirrored from Jim C. Hines.

jimhines: (Snoopy Writing)
( May. 12th, 2017 12:13 pm)

Friday is trying to recall French from high school, 25 years ago…

 

Mirrored from Jim C. Hines.

Tags:

Next week, I have the honor of being part of Les Imaginales, the international festival of fantasy literature in Épinal, France. In fact, I’m doubly honored, since Le Bibliomancien (the French edition of Libriomancer, translated by Lionel Davoust) is one of six finalists for the Prix Imaginales award in the foreign novel category.

Les Imaginales has posted my schedule for the fair. Here’s everything I’ll be up to in France:

Tuesday, May 16

Thursday, May 18

  • 10 – 11 a.m. Coup d’envoi des Imaginales (Opening kickoff)
  • 11 a.m. – Noon. La fantasy…

Friday, May 19

  • 2 – 3 p.m. Livres et lecteurs… (Books and readers)

Saturday, May 20

  • 9 – 10 a.m. Petit Déjeuner avec Jim C. HINES (Breakfast with Jim)
  • Noon – 1 p.m. Entretien avec Jim C. HINES (Interview with Jim)
  • 4 – 5 p.m. Ils viendront vous traquer… (They will come to hunt you down…)

Wait, what? Is Google translating that last panel correctly? What kind of festival is this?

Anyone know of any good bodyguard services in France?

Mirrored from Jim C. Hines.

I’ve talked before about dealing with depression. Last week’s trip to Buenos Aires, combined with next week’s trip to France, got me paying attention to the ways depression impacts and is impacted by travel, especially bigger trips like these.

It hit me the most on my first day in Buenos Aires, after I’d been dropped off at the hotel. I was exhausted from the flight. I’d missed my pills the night before during all of the travel chaos. I had nothing scheduled that first day, and I was alone in a new city where I didn’t know the language.

This blend of exhaustion and anxiety is just the type of situation my brain-weasels love, and as I settled into my room, I could feel them digging in. I knew intellectually that once I was out interacting with my publisher and doing the press interviews they’d lined up for me, my brain would snap into Performing Writer mode, and I’d be okay. But for now, all I really felt like doing was locking the door, turning out the lights, and waiting for tomorrow to arrive.

Intellectually, I had a pretty good idea what was going on in my brain. I knew I was tired and jet-lagged and overwhelmed, and I’ve gotten better at recognizing when depression is getting the upper hand. Unfortunately, recognizing the problem doesn’t make it go away. In at least one way, it made things worse, because it fed right into the self-recriminations.

  • “Think about all the people who were so envious of you getting to come to Buenos Aires, and now that you’re here, you’re depressed? What’s wrong with you?”
  • “Here you are in a brand new country, and all you want to do is hide in your hotel room? Sad.”
  • “Maybe you should stop accepting these invitations. Let someone who’d appreciate them go instead of wasting these opportunities on you.”
  • “Coward.”

Knowing it’s the depression talking doesn’t make it stop. Knowing the self-recriminations are a trap doesn’t stop them from pulling you down.

Ackbar: It's a trap!

Eventually, I made myself leave the hotel and go for a walk. Just a few blocks to look around and get my bearings. (And yes, to catch a few Magikarp.)

It helped. The brain weasels didn’t vanish, but they quieted down significantly as we wandered and looked around, absorbing the new sights and sounds. I knew I needed food, so I wandered into a McDonald’s.

  • “What kind of loser goes to another continent and eats at McDonald’s?”
  • “Pathetic.”

I needed that dose of familiarity, and after staring at the menu for a few minutes, I went up and asked, “Habla Inglés?”

She had just enough English to tell me she didn’t speak English. Pretty much the equivalent of my Spanish. But I managed to order anyway. She asked a question. I had no clue. But after a few rounds and some hand gestures, I realized she was asking for a size. I pantomimed small, medium, and large, saying them in English without thinking, then asked for a medium.

She got a big grin on her face and repeated “Medium,” adding, “I spoke English!” She was so excited she forgot to charge me. (Yes, I reminded her.) The whole exchange left me smiling.

#

This is such an odd post to try to write. I had a wonderful time in Buenos Aires. I’m so happy and honored that I got to go. I was also depressed about the trip, especially that first day or two. Both of these things are true.

I’m going to France next week for Les Imaginales. I’m feeling anxious. I suspect the depression will hit me in much the same way, especially that first day when I’m exhausted and have nothing scheduled. I’m mentally berating myself about feeling stressed instead of excited. I know, intellectually, that this will be another wonderful experience.

But brain weasels don’t give a shit.

  • “Now you’re depressed about going to France? You are such a disappointment.”

It’s just over five years since I got my diagnosis. Since I started taking antidepressants and talking to a therapist. It’s frustrating to be reminded that, like the diabetes, this isn’t something we’ve been able to “cure.” Instead, it’s something I try to manage. Like the diabetes, some days I do better than others, and some situations make it harder to manage.

To everyone I met and talked to in Buenos Aires: It’s not you; it’s me. You were amazing, and I had a genuinely great time, despite this chemical imbalance in my brain.

And to the brain weasels, I’m sure I’ll see you again next week. Hopefully I’ve learned enough to get you back into your cages. But just in case, maybe I should Google the McDonald’s closest to my hotel in Paris…

Mirrored from Jim C. Hines.

Tags:
jimhines: (Snoopy Writing)
( May. 5th, 2017 09:34 am)

Friday misses dulce de leche…

Kuli on a surfboard in front of a double-rainbow.

Mirrored from Jim C. Hines.

Tags:

BA topiaryTuesday afternoon I got back from a week in Buenos Aires, where I got to be a part of the Buenos Aires International Book Fair.

Huge thanks to my publisher, El Ateneo, for the invitation and for arranging things. Especially Marina and Canela, who showed me around and provided translations as needed, along with some delicious food!

Thanks also to the US Embassy, who covered much of the cost, arranged to get me to and from the airport, and generally worked to make sure I had a good experience.

It was great getting to meet so many enthusiastic readers and fans. I am delighted and honored by all of the kindness you showed.

Photo of me taking a selfie at my book fair presentation

I have a lot of photos up over at Flickr. Some of them were taken while I was on a bus tour of the city, so they may not be perfectly and artistically composed, but I don’t care. I loved getting to see so much of Buenos Aires.

One of my favorite places, naturally, was the El Ateneo bookstore:

El Ateneo bookstore

El Ateneo was originally a theater, and has been named one of the most beautiful bookstores in the world. I could have stayed there all week, despite not being able to read any of the books. Best of all, they had a nice display of my books in the front as you come in the door.

There’s so much more to talk about, from all the kissing to the fact that my hotel was close to a waterway, which meant I caught about 100 Magikarp. But I need to get back to work, since I’m leaving again in a week and a half, and there’s way too much to do between now and then.

I hope you like the pics!

PS, I almost forgot! My publisher must have been happy with how things went too, because as soon as I got home, they sent my agent an offer to buy the second princess book. So The Mermaid’s Madness will be the next of my books to come out in Spanish! 😀

Mirrored from Jim C. Hines.

jimhines: (Snoopy Writing)
( Apr. 24th, 2017 07:20 pm)

Invisible 3 is running a little behind the schedule I’d hoped to meet. It turns out that coordinating between two editors takes more time than one editor doing it all himself. Who’d have guessed?

Mary Anne and I have 13 essays and 3 poems contracted thus far. We’ve got one revision to look over, and two rewrites we’re waiting to receive. We’re also missing a few author bios I need to follow up about.

Cover art is mostly done, but I need to confirm those last few names before we can finalize that.

We’ve sent the contents off to the person who will be writing the introduction for this volume.

My hope is that when I get back from Buenos Aires and have had a day or two to recover, we’ll be able to announce a tentative release date (I’m guessing May or June, but I reserve the right to be wrong in that guess) and move forward with the cover reveal.

I’m very happy with what we have so far, and I can’t wait until we’re able to share it with you.

Mirrored from Jim C. Hines.

I’m mostly recovered from Minicon…which is good, because on Tuesday, I leave for the Buenos Aires Book Fair!

Wednesday will be a day of recovery and looking around. Thursday afternoon I’ll be doing some press interviews at El Ateneo, one of the most gorgeous bookstores in the world.

Assuming they can pry me out of there, I’ll be doing an interview Saturday afternoon at the Book Fair, followed by a book signing. Later that evening I’ll be participating in the Bloggers Meeting as well.

Sunday, there’s a meet and greet at the bookstore, and then it’s back to the hotel to pack and prepare for the flight home on Monday.

It should be an exciting week. I’m looking forward to meeting my Latin American publisher, and I love that my official schedule has notes like “Embassy driver will pick you up from the airport.” And of course, it will be awesome to meet readers and fans from Argentina!

Blogging and email and such will probably be pretty light, but I should have plenty of pictures to share when I get back. Don’t break the internet while I’m gone, okay?

Mirrored from Jim C. Hines.

.

Syndicate

RSS Atom

Most Popular Tags

Powered by Dreamwidth Studios

Style Credit

Expand Cut Tags

No cut tags